From censorship to lie on the compensation, the challenge of "Come away with me." Today, in the first evening on RaiTre airs the first episode of the program with Fazio. "In Italian TV the right to speak with him conquer the ratings. And this, especially public television, it is unjust" by Roberto Saviano
Whatever your lifestyle, whatever your work, whatever your thoughts, if you ask certain powers against these always respond with a single
strategy: to delegitimize. Delegitimize his rival in the eyes of public opinion, trying to make naked telling stories about him, describing intimate conduct to embarrass, so that people when they see it appear in public can be kept in mind the pictures and told not to consider it credible.
This is misinformation, thinner than the mere slander acting especially with the enemies. The misinformation instead aims to destroy the victims in the friends, spreading those doubts and those suspected of his friends have to fear.
The machine of the mud is the theme of the first episode of "Come away with me," the broadcast for the first time I was tested as a television writer. This is also an experience to tell. Working on a program, build it from the first minute to last has something unreal for someone who is a writer.
On this page you write is a space of imagination, all stories can be experienced, thought and elaborated in the head and soul of the reader. With this TV you can not generate the words are not written, the words should be seen on TV. The narrative is most effective when its not trying to reproduce life, but honestly when the turn into a story. And in the television story Articles are the lights of the study, the adjectives are movies, verbs are the movements of the scene, the shots are the phrases, punctuation, are the guests. In a limited time to get everything: the desire to tell a significant slice of reality and the honesty to tell it as a point of view, not as absolute truth. Understand to be a misuse of the TV, as are state of the theater. At the bottom of the page except that you feel foreign everywhere, and perhaps this is also the magic of those who work with words, that of having to win every time on the ground the legitimacy to rule.
"Come away with me" was born as a broadcast he wanted to tell the country with the objective to do well the things we believe we can offer to the public. Then slowly we realized that we began to be appreciated and many came along these lines. Signals that prevent us from continuing to work. Then we were able to recover at least part of our work space, not to get deleted. The much ado about nothing, which is often accused, then latent thought of those who say: "You have seen, the cry of censorship and the transmission then you do it, and on your terms."
If we had been silently suffering from the condition that the Rai Masi was giving us, we would be working on building awareness of being something that was not in the above terms and did not coincide with the ideas I had, with tales I had prepared. In the case of Italian television, unfortunately, the right to speak with him conquer the plays and a community ready to defend yourself. Without listening you do not have a second chance. This is especially for public television is a dialectic unjust, we should look at the quality, the need for a program. Why do you judge you for what you do and what you are worth is not enough to do your job well, but it also becomes necessary to defend and with lots of noise if the situation warrants.
This is the new mechanism of censorship, many difficulties to bring a project, but in the shadows, in places whose access is restricted to a few persons involved, that have everything to lose to show the mechanisms and little or nothing to gain. And then let the facts speak for "go bad", "Do not look at anyone," "Have you done listening to the third evening." If the only protection, today, television is not reality, that is not light entertainment are the plays, the only way to cut out those who have proposed not the best, not politically engaged, but only alternative is to demonstrate that this type the story has no market. Remove the media because the quality is claimed, reduce the light, so the conversation remains in the shadows: this is the new way to kill everything on television may be culture, story books, and easily say "do not work" for to invest more.
And so often you feel that you work with your editor, but not against him. And if a project of four bets is passed to two, and then if two points have to compete with cup games to tell people that the ratings were low because those were the conditions and not others? Who would tell that this is not the details but the pillars that when designing a transmission count nearly as much content? Who would tell that is not worth the "do your job well then reap the rewards."
And then the bales on the compensation in a country such as ours, angry, embittered, exhausted. Who lives with starvation wages. Nobody, but nobody has said that real figures, because the aim was to trigger suspicion, not to give information. After all the fees are generated by the market and not an idea. Are directly proportional to how much you earn. And there would be nothing to talk about it immoral if we were not victims of the preconceptions that those who earn more and do it without any merit. What is your job: to criticize payment? Maybe it's useless to explain that this is another. Moreover, all this junk evaporates in front of the smile of Benigni. Faced with the organizational genius of Fabio Fazio is also more accurate from the conductor that we usually see. And Claudio Abbado, a rare man, but gentle roaring every time he bumps into the power of stupidity, ugliness in ignorance. A sparrow Fighting in the words of Faber. Of them our country needs as air. Finally
tests during which, to the armored thrust people ready to try to bring the smallest detail. The climate of the country so all guessed, and a climate of deep distrust. And more afraid of those who are afraid to reveal it. So many people try to spy on and steal. But we know, and then during the tests we also know what not to say, steps, considerations and stories that only you can listen live. In transmission will play with the lists, inviting everyone, more or less known personalities and ordinary people to tell us why it's worth staying in Italy or for which it is worthwhile to go away, leave, try where. We started collecting lists and reviews, we expected an avalanche of ill will. We imagined that people, even those who have emigrated, looking at our country, to their country as a quagmire that will prevent any kind of realization. But it is not. And that is why we are here to try to tell that part of the country, which is the largest, who want to redesign this earth, likes to say that we are not all alike, that our diversity lies in the ability to make mistakes without have been corrupted, in having the weaknesses that do not lead to blackmail and extortion. And in the dream, without shame, to return to call this land now so unhappy, home.
(08 November 2010)
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